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Sunday, 21 May 2017

Horace Heidt born 21 May 1901


Horace Heidt (May 21, 1901–December 1, 1986) was an American pianist, big band leader, and radio and television personality. His band, Horace Heidt and His Musical Knights, toured vaudeville and performed on radio and television through the 1930s and 1940s.
Born in Alameda, California. He obtained a good education, studied piano as a boy, attended Culver Military Academy and while playing football for the University of California at Berkeley, he sustained a back injury ending his football career. Horace began entertaining playing the piano culminating in the formation of his own band, Horace Heidt and His Californians in 1922. By 1929 the band had achieved national recognition and in the mid 1930’s had its first radio broadcast.
From 1932 to 1953, he was one of the more popular radio bandleaders, heard on both NBC and CBS in a variety of different formats over the years. He began on the NBC Blue Network in 1932 with Shell Oil's Ship of Joy and Answers by the Dancers. During the late 1930s on CBS he did Captain Dobbsie's Ship of Joy and Horace Heidt's Alemite Brigadeers before returning to NBC for 1937-39 broadcasts.


 Singer Matt Dennis got his start with Heidt's band, and Art Carney as the band's singing comedian. The Heidt band's recordings were highly-successful with "Gone with the Wind" going to No. 1 in 1937 and "Ti-Pi-Tin" to No. 1 in 1938. In 1939, "The Man with the Mandolin" ranked No. 2 on the charts.
 
                           

His NBC Pot o' Gold radio show (1939–41) was the basis for a 1941 film of the same title. Produced by James Roosevelt (son of the U.S. president) and directed by George Marshall, the film starred James Stewart and Paulette Goddard, and it featured Heidt portraying himself with his band. Carney can be glimpsed in some of the film's musical numbers. The movie gives a fairly accurate
depiction of Heidt's radio show but features staged sequences, such as a scene in which a Minnesota farmer (allegedly phoned at random by Heidt during his radio show) is played by well-known character actor John Qualen.
From 1940–44 he did Tums Treasure Chest, followed by 1943–45 shows on the Blue Network. Lucky Strike sponsored The American Way on CBS in 1953.
On December 7, 1947, NBC launched The Horace Heidt Youth Opportunity Program and accordionist Dick Contino, the first winner of the $5,000 prize, soon had his own show. Heidt's talent search catapulted such performers as Art Carney, Frankie Carle, Gordon MacRae, the King Sisters, Alvino Rey, Frank DeVol and Al Hirt. When the program expanded from radio to television in 1950, it was one of the first talent shows on TV. Other winners included the Philharmonics and vocalist Ralph Sigwald.
Heidt was often considered a tyrant by his musicians. He would dismiss almost any one of them in an instant if he felt like it. Alyce King discovered this one night when she knocked over a microphone during a radio program. Heidt's orchestra had been chosen for the show on the strength of King's vocals, and Heidt felt upstaged. He used the opportunity of her clumsiness to fire her. Heidt, however, also encouraged his staff to fraternize. Though designed to promote togetherness the strategy backfired on this occasion. When King left so did all her sisters and their musician boyfriends, including Rey.
With fame, Heidt moved into the then-new Brentwood
neighbourhood of West Los Angeles at 1525 San Vicente Boulevard. He bought the mansion from the widow of a retired dentist, which offered stunning views of Santa Monica Canyon, overlooking the Riviera Country Club and Catalina Island on a clear day. The expansive chateau-style residence, featured in 1927 on the cover of the rotogravure magazine Pictorial California, has long since been razed and the property subdivided.
Heidt was from his college days an astute show-business entrepreneur making many shrewd investments. He purchased the West Coast Trianon Ballroom booking many famous entertainers including Louis Armstrong and Jack Teagarden. His financial base was involved, diverse and very successful.

He chose to retire from show business and devote his entire time to running his ventures. He even started "The Horace Heidt School for Stammering", very relative because he had suffered from this very speech affliction which he corrected by sheer tenacity. Residing in Sherman Oaks, California, he continued operating a real estate business in the San Fernando Valley until his death at age eighty five. Admitted to a Los Angeles hospital, he died from pneumonia complications December 1, 1986.   (Info edited mainly from Wikipedia & Solid!)

Hot Lips performed on Family Night Hosted By Horace Heidt Featuring Al Hirt, Red Nichols, and Pete Candoli.


Saturday, 20 May 2017

Gil Garfield born 20 May 1933


Gil Garfield (May 20, 1933 - Jan 01, 2011) was a singer, songwriter, producer and a former member of the 1950s vocal group The Cheers.
Gilbert I. Garfield was born May 20, 1933, in Los Angeles to Harriet and Harold Garfield. His father owned a chain of drugstores throughout Los Angeles and later expanded his business into real estate. Gil graduated from North Hollywood High School and was a business major at USC.
While in college, he began singing in area nightclubs. He was encouraged to record, and he eventually formed the Cheers in 1954 with fellow singers Sue Allen and Bert Convy, who became known as an actor and game-show host.
 
 
The Cheers recorded a Top 10 single, Leiber & Stoller's "Black Denim Trousers and Motorcycle Boots," in 1955. The trio hit the Billboard charts again with Leiber & Stoller's "Bazoom! I Need Your Lovin'," and they recorded several demos of other Leiber & Stoller tunes.

"(Bazoom) I Need Your Lovin'." hit number three on the U.S. chart in 1954. This was the first hit written by Jerry Leiber and Mike Stoller to chart on the Pop charts in the United States, and was one of the first rock and roll hits by a white group (after The Crew Cuts and Bill Haley and the Comets).
The Cheers disbanded in 1957. Gil then became a freelance songwriter and publisher who joined forces friend Perry Botkin Jr. to form a publishing company called Rock Music Inc., on Vine Street. The two men wrote several songs together of which the most successful was “Passion Flower.” Their own recording of it with the Fraternity Brothers charted at number 3 in Italy during 1958 and the song was also a success in France under the title “Tout L’Amour.” During the 60’s Garfield & Botkin and others, including Harry Nilsson, collaborated on words and music on such recordings as "Wonderful Summer," by Robin Ward, and "Paradise" by the Ronettes.
By the 70’s Garfield & Botkin sold their Rock Music Inc. catalogue, including virtually all of Nilsson’s early songs for $150,000 to Beechwood, the publishing arm of capitol Records.
Gil & Suzanne Garfield
In 1971, Gil and his sister Suzanne Garfield invented the "Pan-T-Boot." As Time described, the "Pan-T-Boot" was "a girdle, stretch pants, hosiery, and shoes all rolled into one." The Pan-T-Boot was offered in a series of bold monochromatic colours and floral prints—much like those designed by Gvasalia. They reportedly sold out as soon as they hit the shelves in New York City.
Garfield then became successful in real estate, refurbishing and reselling houses, later in the 90’s turning to painting and collecting contemporary art.
 In 2002 Garfield had a liver transplant and was a generous supporter of the Dumont UCLA Liver Transplant Centre and the Los Angeles Gay & Lesbian Center.
Gil died at The Ronald Reagan UCLA Medical Center in Los Angeles after a long battle with cancer. He was 77. He was completing a semi-autobiographical musical at the time of his death. 

(Info very scant but comprised from various sources)


Monday, 15 May 2017

Norrie Paramor born 15 May 1914


Norrie Paramor (15 May 1914 – 9 September 1979) was a British pianist, orchestrator, arranger and orchestral conductor. As musical director for EMI/Columbia from 1952, Paramor produced albums in varied genres, from swing to rock n' roll, to 'easy listening' music.
Norrie studied piano and worked as an accompanist, prior to playing and arranging with a number of London dance bands, among them Maurice Winnick's Orchestra. During his time in the RAF during World War II, Paramor entertained servicemen in the company of artists such as Sidney Torch and Max Wall, served as a musical director for Ralph Reader's Gang Shows, and scored music for Noel Coward, Mantovani and Jack Buchanan. After the war he was the featured pianist with Harry Gold And His Pieces Of Eight, and toured with the lively Dixieland unit for five years.
In 1950 he recorded some sides for the Oriole label with Australian singer Marie Benson, and in 1952 was appointed recording director of the UK EMI Columbia label in 1952. His earliest hits as a producer were with trumpeter Eddie Calvert, who had a million seller in 1953 with "O Mein Papa," and who had the most successful UK cover of "Cherry Pink and Apple Blossom White" in 1955. Although the term 'producer' was not in frequent circulation at the time Paramor started producing records (the usual term being 'Artiste and Repertoire Manager' or 'A&R Man')
Norrie jumped on the lush strings bandwagon in the mid-1950s, producing a series of albums such as "Amor, Amor" and "Jet Flight." Paramor's are among the easiest of all easy-listening albums--he maintains a smooth surface of sound from cut to cut, disturbed by the barest of accents. He recorded one of the biggest selling albums from Capitol Records' "Capitol of the World" import series: In London in Love, which featured the floating voice of the soprano Patricia Clark, who was used in many subsequent selling albums. This became his trademark orchestral signature sound.
 
                              
Theme From a Summer Place which features vocals from Patricia   Clark, charted in March 1960 in the UK & peaked at #36.
Paramor produced the first British rock-n-roll single, "Teach You to Rock," by Tony Crombie and his Rockets. Although Paramor clearly preferred mainstream pop to rock, he had a hard time avoiding it. He brought out the first recordings by teen idol Cliff Richard, and produced a long string of EPs and LPs by Richard' backing band, The Shadows. He contributed a number of The
Norrie Paramour with Cliff Richard & the Drifters in 1958

Shadows' best songs, including "Frightened City." He produced many of the British pop stars of the 1950s and early 1960s, such as Ruby Murray, Eddie Calvert, Michael Holliday, Helen Shapiro, Frank Ifield, the Mudlarks, the Avons, Billy Fury and Ricky Valance among others.
He also wrote soundtracks for several British films,  including Serious Charge (1959), Expresso Bongo (1959), The Young Ones (1961). He also composed music for several films,  The Frightened City (1961) and The Fast Lady (1962).
In 1968, he was the musical director for the Eurovision Song Contest, staged at the Royal Albert Hall, the first to be broadcast in colour. He also conducted the UK entry, "Congratulations", performed by Cliff Richard. After leaving EMI in the late 1960s, Paramor continued to record occasional easy-listening string albums. In 1977 Paramor and his orchestra recorded with The Shadows for a final time with the track, "Return to the Alamo".
From 1972-78 Paramor was the Director of the BBC Midland Radio Orchestra, but he continued to dabble in independent production for acts such as the Excaliburs, and his publishing company was still finding material for Cliff in the 70s.
Paramor died of cancer on 9 September 1979. His death came a couple of weeks after his protégé, Richard, returned to the top of the UK Singles Chart with "We Don't Talk Anymore", his first number one single in over ten years. Paramor and Richard had worked together professionally from 1958 to 1972.
Sadly, despite his track record of success as a producer, he died in obscurity without receiving any public recognition of success from any British institution. (Info edited mainly from from Wikipedia & Spaceage Pop)

Sunday, 14 May 2017

Troy Shondell born 14 May 1940


Gary Wayne Schelton (May 14, 1939 – January 7, 2016), known by his stage name Troy Shondell, was an American vocalist, who achieved a modicum of fame and recognition in the early 1960s. He became a transatlantic one-hit wonder, by releasing a single that made the record charts in both the US and the UK. The song, "This Time" or sometimes billed as "This Time (We're Really Breaking Up)" sold over one million records, earning gold disc status. In a single year, sales were over three million copies.
Troy Shondell was born in 1939, raised in Fort Wayne, Indiana, and educated at Valparaiso and Indiana universities. He wrote his first song at age 14, which was recorded by Little Anthony & the Imperials. He also learned to play five musical instruments. His professional music career started as a teenager. Mercury Records released his first single, "My Hero", from The Chocolate Soldier, which he recorded in 1958 under the name Gary Shelton, which was close to his real name, Gary Schelton.
He followed the next year with "Kissin' at the Drive-In", a rockabilly song that went on to become a drive-in theater standard. Still performing as Gary Shelton, he seemed to be on his way, at least in the Midwest. Chicago's Brass Rail, a major nightclub that usually hosted jazz and blues acts, brought him in for its first foray into rock and roll. The successful gig stretched to 16 weeks.
 In 1959, Mark Records released "The Trance" and "Goodbye Little Darlin'". These sold well in the Midwest and a few other areas, but neither made it into the Hot 100's Top 40. The singer cited his father as a major influence, among others. A song he wrote about his father's death in 1960 from a heart attack, "Still Loving You", became a country hit when it was recorded by Bob Luman. His father's demise caused his career to falter, and he briefly returned to help run the family business.

 
                               
Around this time, he began using a new stage name, Troy Shondell, partly because of the popularity of actor Troy Donahue. In April 1961, he recorded "This Time", a song written by Chips Moman and first recorded by Thomas Wayne. The record was released during the last week in June on the tiny Gaye label and picked up by the small Los Angeles Goldcrest label, selling ten thousand copies during the first week. Six weeks after being released and played in Chicago, Shondell flew to Los Angeles and signed with Liberty Records. "This Time"‎ finally hit the Billboard charts the third week of September and landed in the Top 10 five weeks later at its number six peak, and it stayed in the charts for a total of thirteen weeks. The track reached no. 22 in the UK Singles Chart at the end of that year.
"Tears From An Angel" was his follow-up recording, released in March 1962. No further chart action was forthcoming, and Shondell quietly slipped away from the music industry the following year, despite his third single "Na-Ne-No", being produced by Phil Spector. However, in 1963, Tommy Jackson changed the name of his high school band from "Tom and the Tornados" to "The Shondells" in honour of Shondell (one of his musical idols). Jackson became "Tommy James" and international fame followed for the act.
Troy Shondell & The Shondells
Chicago band the Ides of March originally named themselves the Shon-dells, also in tribute to Troy. Shortly before their debut single, "You Wouldn't Listen", was released, the label found out that James had been using the name first, so they were forced to change it. In 1968, Shondell became a songwriter for Acuff-Rose Music in Nashville, Tennessee, and the first recording artist for TRX Records, a branch of Hickory Records, for whom Troy recorded some gramophone record discs until 1969, when he went into the music publishing field. In October 1969, he was appointed as Assistant Regional Director for ASCAP's Southern Regional Office in Nashville.
At the turn of the new millennium, Shondell was still performing at nostalgia shows and other events. From his home in Nashville, he also composed and produced. Along with Jimmy Clanton, Ronnie Dove, and Ray Peterson, he was a member of the Masters of Rock 'n' Roll.
On October 2, 2007, he travelled to Collins, Mississippi, to deliver a musical tribute to his fallen rock and roll colleague Dale Houston, who, with musical partner Grace Broussard, had reached no. 1 in 1963 with "I'm Leaving It Up to You" as the musical duo Dale & Grace.
Shondell died from complications of Alzheimer's and Parkinson's disease in Picayune, Mississippi on January 7, 2016. (Info mainly Wikipedia)

Here's Troy live on the TV show "Rockin' at the Palace" in 1989.


Saturday, 13 May 2017

Maxine Sullivan born 13 May 1911


Maxine Sullivan (May 13, 1911 – April 7, 1987), born Marietta Williams in Homestead, Pennsylvania, was an American jazz vocalist and performer.
As a vocalist, Maxine Sullivan was active for half a century, from the mid-1930s to just before her death in 1987. She is best known for her 1937 recording of a swing version of the Scottish folk song
"Loch Lomond". Throughout her career, Sullivan also appeared as a performer on film as well as on stage. A precursor to better-known later vocalists such as Ella Fitzgerald, Billie Holiday, and Sarah Vaughan, Maxine Sullivan is considered one of the best jazz vocalists of the 1930s.
Sullivan began her music career singing in her uncle's band, The Red Hot Peppers, in her native Pennsylvania, in which she occasionally played the flugelhorn and the valve trombone, in addition to singing. In the mid 1930s she was discovered by Gladys Mosier (then working in Ina Ray Hutton's big band). Mosier introduced her to Claude Thornhill, which led to her first recordings made in June 1937. Shortly thereafter, Sullivan became a featured vocalist at the Onyx Club in New York City. During this period, she began forming a professional and close personal relationship with bassist John Kirby, who became her second husband in 1938.
 
                            
 
Early sessions with Kirby in 1937 yielded a hit recording of a swing version of the Scottish folk song "Loch Lomond" featuring Sullivan on vocals. This early success "branded" Sullivan's style, leading her to sing similar swing arrangements of traditional folk tunes mostly arranged by pianist Claude Thornhill, such as "If I Had a Ribbon Bow" and "I Dream of Jeanie". Her early popularityalso led to a brief appearance in the movie Going Places with Louis Armstrong.
In 1940, Sullivan and Kirby were featured on the radio program Flow Gently Sweet Rhythm, making them the first black jazz stars to have their own weekly radio series. During the 1940s Sullivan then performed with a wide range of bands, including her husband's sextet and groups headed by Teddy Wilson, Benny Carter, and Jimmie Lunceford. Sullivan performed at many of New York's hottest jazz spots such as the Ruban Bleu, the Village Vanguard, the Blue Angel, and the Penthouse. In 1949, Sullivan appeared on the short-lived CBS Television series Uptown Jubilee, and in 1953 starred in the play, Take a Giant Step.

In 1956, Sullivan shifted from her earlier style and recorded the album A Tribute to Andy Razaf; originally on the Period record label, the album featured Sullivan's interpretations of a dozen tunes featuring Razaf's lyrics. The album also highlighted the music of Fats Waller, including versions of "Keepin' Out of Mischief Now", "How Can You Face Me?", "My Fate Is in Your Hands", "Honeysuckle Rose", "Ain't Misbehavin'", and "Blue Turning Grey Over You". Sullivan was joined by a sextet that was reminiscent of John Kirby's group of 15 years prior, including trumpeter Charlie Shavers and clarinettist Buster Bailey.
From 1958 Sullivan worked as a nurse before resuming her musical career in 1966, performing in jazz festivals alongside her fourth husband Cliff Jackson, who can be heard on the 1966 live recording of Sullivan's performance at the Manassas Jazz Festival. Sullivan continued to perform throughout the 1970s and made a string of recordings during the 1980s, despite being over 70 years old. She was nominated for the 1979 Tony Award for Best Featured Actress in a Musical (won by Carlin Glynn) for her role in My Old Friends, and participated in the film biography Maxine Sullivan: Love to Be in Love, shortly before her death.
In her later concert appearances she travelled to France for several performances in 1984 and to Sweden many times beginning in 1975 and ending in 1984. Maxine Sullivan died in April of 1987 after suffering a seizure for which she was hospitalized in new York and did not recover. This was a little more than one month short of her 76th birthday and just 8 months after her last recorded concert appearance. The last song she performed at the Fujitsu – Concord Jazz Festival and her last performance on record…was Loch Lomond. She was posthumously inducted into the Big Band and Jazz Hall of Fame in 1998.

Sullivan married four times; her second husband was the band leader John Kirby (married 1938, divorced 1941), while her fourth husband, whom she married in 1950, was the stride pianist Cliff Jackson, who died in 1970. She had two children, Orville Williams (b. 1928) and Paula Morris (b. 1945).
 (Info mainly Wikipedia)

The late, great Maxine Sullivan in 1986 with Scott Hamilton on tenor.
 

Thursday, 11 May 2017

Bob Atcher born 11 May 1914


James Robert Owen "Bob" Atcher (May 11, 1914 – October 31, 1993) was an American country musician. 

Bob Atcher was one of the most popular country music entertainers of the post-World War II era, enjoying a 21-year career at OKeh and Columbia Records, as well as major radio stardom on WLS' National Barn Dance out of Chicago. His range of material ran from traditional country and comic novelty songs to folk.  

James Robert Owen Atcher was born and raised in Hardin County, KY, on property that was later appropriated for Fort Knox. The family, led by his father, a champion fiddle player, was musical, and he learned both the violin and the guitar. By the early '30s, he'd made his debut on radio on WHAS out of Louisville, and over the next few years appeared on several small stations across the South and Midwest. 

In 1939, Atcher got his first big break when he got a regular spot on WGBM in Chicago, a daily program that was picked up nationally by the CBS radio network. He quickly built a major national following with his mix of country and novelty songs. He joined the American Record Company that same year, just in time for the label to be purchased by CBS (which rechristened it Columbia Records), and passed through the label's OKeh imprint before going on to Columbia.  
 
 
                             
 
During the years 1939-1942, many of Atcher's singles were credited to duets with Bonnie Blue Eyes (aka Loeta Applegate) -- their records together included the comical "Answer to You Are My Sunshine" and "Pins and Needles (In My Heart)." Atcher was also joined in the studio on occasion by his younger brother, Randy Atcher -- their singles together included "Papa's Going Crazy, Mama's Going Mad." Atcher served in the army during the later part of World War II and resumed his career in 1946. He charted around that time with "Why Don't You Haul Off and Love Me" and "I Must Have Been Wrong." 

Atcher made his biggest career move in 1948, when he joined the National Barn Dance on Chicago's WLS. At that time, the National Barn Dance was still one of the two biggest showcases for country music, and he became one of the show's most popular stars over the next ten years. He also scored big on the charts again with "I'm Thinking Tonight of My Blue Eyes," which became a classic piece of country comedy. His recording career proceeded apace, with some notable achievements.  

In 1948, Atcher cut two of the earliest LPs ever released by Columbia, a pair of 10" discs devoted to cowboy songs and folk music (Early American Folk Songs, which contained one of the earliest extant commercial recordings of "Devilish Mary," a 19th century folk song that would become part of the repertoire of the members of the Grateful Dead). Atcher left Columbia in 1950 for Capitol Records, and later recorded for Kapp Records. In 1950 he recorded "Christmas Island" with the Dinning Sisters.

He remained a star on the National Barn Dance into the 1960s, and later rejoined Columbia Records. In the interim, the label had reissued the two early LPs of folk music and cowboy songs on its budget-priced Harmony line, and during his second stint at Columbia, Atcher re-recorded his classic songs in stereo.  

Like Gene Autry before him, Bob Atcher invested his earnings far outside the recording industry, and by the 1960s he owned various businesses and had a hand in the banking industry as well, as a board member of the Schaumburg State Bank in Schaumburg, IL. He also served 20 years as the mayor of Schaumburg, from 1959 until 1979. Atcher Pool in Schaumburg is named after him. Shortly before he died, the Municipal Centre in Schaumburg was named in his honour. The centre was dedicated in March 1995. 
 
(Info mainly edited from All Music & some Wikipedia)

 

Wednesday, 10 May 2017

Jackie Lomax born 10 May 1944


John Richard "Jackie" Lomax (10 May 1944 – 15 September 2013) was an English guitarist and singer-songwriter. He is best known for his association with George Harrison, who produced Lomax's recordings for the Beatles' Apple record label in the late 1960s. 

Lomax had known the Beatles since their early days at the Cavern club and in Hamburg, when he was the singer and bass guitarist
with the Undertakers, a popular Mersey Beat band noted for their energetic stage show, in which the musicians wore the frock coats, and sometimes top hats, appropriate to funeral directors in the wild west. 

In those days he looked exactly like a Beatle – and in a sense he was, one night in 1960 when, still the Silver Beetles and a man short for a Liverpool gig, they used him as a stand-in drummer. Almost a decade later he joined them in the studio to sing on the chorus of Hey Jude and to add a low harmony on Dear Prudence. 

Born in Wallasey, the son of a millworker, the teenaged Lomax and his friend the drummer Warren "Bugs" Pemberton left their first band, Dee and the Dynamites, to join the Undertakers in January 1962. Like the Beatles, their stage act was developed during residencies at the clubs in and around Hamburg's Reeperbahn, and in 1963, with the Liverpool sound starting to dominate the British pop scene, they were voted the city's fifth most popular group by the readers of Mersey Beat magazine. Two years later, after a contract with Pye Records had produced four singles – all covers of American R&B songs — but no hits, they tried to capitalise on the British invasion of the US charts by moving across the Atlantic. 

Left stranded and penniless in a motel in Canada, they disbanded and in 1967 Lomax and Pemberton formed their own group, the Lomax Alliance. Tipped off by Cilla Black that Brian Epstein was interested in him, Lomax returned to London with the band, who were showcased in one of the concerts presented by the Beatles' manager at the Saville theatre. Epstein signed them to CBS records, but after his death in 1968 and the release of a handful of unsuccessful singles the arrangement petered out. 

It was then that the Beatles themselves took a hand, and on 30 August 1968 the initial batch of Apple singles included Sour Milk Sea alongside the Beatles' Hey Jude, Mary Hopkin's Those Were the Days and the Black Dyke Mills Band's Thingumybob. Lomax's single was one of the two that did not become worldwide No 1 hits. His Apple album also featured Eric Clapton, with other tracks recorded in Los Angeles; a lovely ballad titled Fall Inside Your Eyes was later covered by the soul singer Percy Sledge.
 
 
                                

When the lack of success of two subsequent singles, New Day and How the Web Was Woven, and the arrival at Apple's Savile Row HQ of the hard-nosed American business manager Allen Klein prompted the end of the Beatles' patronage, Lomax spent several months as a member of the not-quite-supergroup Heavy Jelly, whose sole album remained unreleased. 

A move to Woodstock in 1971 led to two more solo albums for Warner Brothers, Home Is in My Head and Three, featuring such musicians as the Band's Rick Danko and Levon Helm and the English slide guitarist Bryn Haworth. In 1973 he went back to England to join the former Yes keyboardist Tony Kaye in a band called Badger, whose approach he helped change from progressive rock to the kind of soul-tinged approach he had always favoured. Badger's one album, White Lady, was recorded in New Orleans under the supervision of the great producer Allen Toussaint but again failed to attract significant attention. 

Lomax returned to the US for good in 1975, settling in California and recording two more albums for Capitol Records, Livin' for Lovin' and Did You Ever Have That Feeling? Throughout the 80s and 90s he performed regularly in and around Los Angeles in bands with various friends, and also toured as the bassist with the Drifters and the Coasters, whose music had helped inspire the original Mersey Beat bands. For a while he was the maitre d' at the Cat & Fiddle, a Sunset Boulevard bar popular with expatriate British rockers. 

In 1990 he contributed his version of the Tim Buckley song Devil Eyes to an album titled True Voices, which also featured Lucinda Williams, PF Sloan and Gene Clark, and in 2001 he recorded another solo album, The Ballad of Liverpool Slim. There were several visits to his home city and last year he returned to Hamburg to help celebrate the golden jubilee of the Star Club, performing with the Undertakers and members of the Big Three and the Dominoes.

On 15 September 2013, Jackie Lomax died after a long fight with cancer while staying in England for the wedding of his daughter. At the time of his death the singer had recently finished a new album titled "Against All Odds.” (Info mainly edited from a Guardian article by Richard Williams)